Comparing the Gothic Revival in England Before and After 1820 Essay

Comparing the black letter Revival in England forward and After 1820The black letter resurgence in England before and after 1820 was genuinely different in purposey ways. Before the start of the black letter revival the mediaeval stylus, since the last mediaeval structure in 1509 of Henry 7 s chapel, was seen as irrational and illogical and as one man described it as barbaric. This was one of the main causes that the mediaeval buildings of the eighteenth vitamin C fell into disrepair. During the Cromwellian period many Gothic buildings were classical in the interior and church interiors in the 17th century became increasingly softened and plain. some(prenominal) statues, altars and windows were destroyed.Some attempts at gothic architecture were made in 17th century but many were a mix-match of ideas. Even though in the early1600s there was an early flowering of mediaeval architecture with the Kings College in Cambridge.This carried on in to the 18th century where to a g reater extent and more mickle dabbled in the gothic style with out a full understanding of how gothic architecture worked as a morphological system. They confused stages of the gothic period, which were later defined by Thomas Rickman in is writing, and as well as used Classical forms such as pilaster and venetian windows. Many interiors were of a classical form a layout and some times new(prenominal) style were thrown in. Some gothic forms were even used on the exterior of building where they didnt perform the function they were meant to. This shows how little the architects of the 18th century studied the mediaeval and how little they understood it. The interest of Gothic grew more and more as gothic was seen to stimulate the imagination. It was seen as part of English romantic tradition, which sparked off an interest in artificial ruins in landscape design of the 18th century. Which was used as a subject matter of heightening the atmosphere of the garden. An example of some artificial ruins is that of Wimpole h any intentional by James Essex in 1768.another(prenominal) inspirational architect in this time was William Kent. His designs using ogee pointed arches with a classical cornice inspired loco Langley to produce a study in which he analyzed Gothic in terms of classical orders. A comparison with true mediaeval and Gothic architecture at this time shows that at this time each(prenominal) Gothic architecture was a decorative style to be utilize as ornament to regular structures and s... .... After the houses of parliament burnt muckle the chosen style was Gothic not Classical. Pugin undertook all of the interior work. Another example was Scarisbirck Hall in Southport reinforced in 1837 the great sign of the zodiac was with a timber framed roof with no classical plaster of Paris ceilings and it was all based on knowledge of the mediaeval architecture and all materials used were true.Pugins own house in St. Maries Grange built in1835 is based mediaeval vernacular forms it is stone built simplified Gothic and it used the theory of fitness for purpose. With regard to his house and his other whole kit and boodle he said a picturesque that arises out of strict utility program.John Ruskin(1819-1900) was very influential, his writings Seven Lamps of Architecture influenced many people he had many similar view to Pugin apart from the fact he was Anglican and he led the way it their Gothic Revival. He also had a hope that there may be an acceptable style of iron architecture which may be developed so that Gothic could get a new lease of life.Works CitedThe Story of Architecture, Patrick Nuggins ,1996 biography of Architecture Settings & Rituals, Spiro Kosof, 1985Gothic Revival, Georg Germann, 1972